Memory strategies in absolute identification of “circular” pitch
نویسندگان
چکیده
منابع مشابه
Strategies for tone identification in observers with absolute pitch
Behavioral studies have shown that observers with absolute pitch tend to perform very proficiently in a range of tone identification tasks. However, most studies focus only on response accuracy, leaving the question whether the strategies used by these observers are absolute (i.e., not based on a comparison with an internal or external reference point different from the judged note) or relative...
متن کاملDial A440 for absolute pitch: absolute pitch memory by non-absolute pitch possessors.
Listeners without absolute (or "perfect") pitch have difficulty identifying or producing isolated musical pitches from memory. Instead, they process the relative pattern of pitches, which remains invariant across pitch transposition. Musically untrained non-absolute pitch possessors demonstrated absolute pitch memory for the telephone dial tone, a stimulus that is always heard at the same absol...
متن کاملMusical pitch identification by absolute pitch possessors.
Musical pitch identification was investigated in two experiments in which absolute pitch (AP) possessors and nonpossessors categorized tones presented in isolation into predetermined pitch classes. Stimuli consisted of 60 different tones per octave (at intervals of 20 cents). The experiments were designed to minimize the possibility that subjects could use strategies other than AP in perfi~rmin...
متن کاملDissociation of procedural and semantic memory in absolute-pitch processing.
We describe two memory-retrieval systems in absolute-pitch (AP) processing and propose existence of a universal internal pitch template to which subpopulations of musicians selectively gain access through the two systems. In Experiment I, AP and control musicians adjusted the frequency of a pure tone to match the pitch of a visually displayed randomly selected musical note. In Experiment II the...
متن کاملTemporal integration in absolute identification of musical pitch.
The effect of stimulus duration on absolute identification of musical pitch was measured in a single-interval 12-alternative forced-choice task. Stimuli consisted of pure tones selected randomly on each trial from a set of 60 logarithmically spaced musical note frequencies from 65.4 to 1975.5Hz (C2-B6). Stimulus durations were 5, 10, 25, 50, 100, and 1000ms. Six absolute-pitch musicians identif...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: Perception & Psychophysics
سال: 1981
ISSN: 0031-5117,1532-5962
DOI: 10.3758/bf03207376